From secret glances in Nordic fishing villages to defiant dances on New York’s Christopher Street, the journeys of queer Scandinavians and Balts weave a century-long tapestry of exile, love, and liberation. Love Across Latitudes traces these migrations—through war, the AIDS crisis, and today’s Pride diplomacy—to reveal how Viking sailors, Baltic refugees, lesbian caregivers, and trans trailblazers reshaped both America’s queer capital and the homelands they left behind. Dive into an epic story of resilience that spans fjords, iron curtains, and rainbow-draped avenues.

Thelma Sigurhansdóttir, also known as Thelma Gella, has launched her debut solo exhibition: Habitat at the Art Lab Gallery, in Staten Island. An Iceland native, completing her BA in Studio art at CUNY in New York City, Thelma’s work has been exhibited internationally in New York, Iceland, and Denmark. Outside of her studies, Thelma currently works as a sculpture assistant for a Brooklyn-based artist.

On autumn nights in 1944, more than 70,000 Estonians, Latvians, and Lithuanians slipped into the Baltic’s cold darkness, steering overloaded fishing boats toward neutral Sweden as the Red Army returned. Eighty years later, their descendants gather on Gotland’s beaches and Tallinn Bay to honor the perilous voyage, preserve family stories, and reflect on how that flight still shapes Nordic culture and identity.

From 19th‑century immigrant weeklies to today’s digital platforms, Nordic and Baltic media in New York has constantly reinvented itself. This overview traces that evolution—and shows how The Northern Voices now leads the next chapter as a fully digital hub for Northern creativity.

As Europe pushes for digital sovereignty, many individuals and organizations seek alternatives to US-centric tech. A recent survey of European tech leaders called for reducing reliance on Silicon Valley giants. Privacy-first startups and open-source projects have flourished in response.

The Northern Voices is thrilled to announce Nordic/Baltic Talks, a brand‑new podcast series that serves as the perfect audio companion to our site. Each up-to-30‑minute episode distills our most‑read stories into a lively on‑the‑go format—combining headline rundowns, cultural spotlights, business briefs, tech trends, and creative‑industry insights, all delivered with the cross‑Atlantic perspective you expect from The Northern Voices. Think of it as a “portable newsroom” where concise reporting meets smart context and a dash of northern flair.

The Northern Voice has a first look at Valev Laube’s new single “Halo in Freefall,” a dreamy composition currently available as an early preview track on SoundCloud.

A polished bio and a slick headshot might get you noticed once—but they won’t make people remember you, trust you, or seek you out when stakes are high. The leaders and creatives who turn their names into magnets play a deeper, longer game. They obsess over the subtle signals most of us ignore—the mindset behind the message, the reputation behind the logo, the microscopic favicon in a crowded browser tab.

In 2015, co-founders P. Blake Renda and Julie W. Koester were huddled around a kitchen table in Naples, Florida, sketching plans for a different marketing agency. They had a bold vision: a one-stop firm blending rigorous business strategy with full-service, white glove business marketing services under one roof. Fast-forward to today, and that kitchen-table startup—Dragon Horse Agency—has grown into a multi-award-winning international firm with offices in Florida and California.

Polished logo? Check. Gorgeous website? Check. Loyal customers lining up to buy? Maybe not.

Media coverage is still one of the fastest ways for freelance and indie artists to amplify credibility, spark sales, and unlock career-changing opportunities. Yet a crowded inbox and shrinking newsrooms mean editors ignore cookie-cutter press releases faster than you can hit “send.” The good news: journalists crave fresh angles, authentic voices, and stories that resonate far beyond a gallery wall or Spotify link.

It’s hard not to notice my inbox lately: every day I see more pitches from so-called PR agencies promising guaranteed coverage in top outlets. These pay-to-play schemes seem to be on the rise in the creative world, and too many talented entrepreneurs have learned the hard way that the promises are empty. One media veteran on LinkedIn put it bluntly: “there’s no need to pay to play with PR and media features”. I agree – authentic publicity comes from strategy and storytelling, not handing over a check.