This August, the Tartu Academic Male Choir — Estonia’s oldest active male choir — carried its century-old tradition across the Atlantic. From Maryland to Toronto and New York, their North American tour brought audiences a powerful blend of Arvo Pärt, Veljo Tormis, and Estonian folk heritage, uniting diaspora communities and new listeners in the spirit of song.

Imagine 30,000 young voices rising together in Tallinn, asking the question: “Mis maa see on?” (“What land is this?”). In 2011, Siiri Sisask’s haunting song became a modern anthem of Estonia’s heart, carrying echoes of pride, pain, and belonging.

Across the United States, a small but mighty network of scholars, curators, and program builders is keeping Nordic and Baltic studies vibrant—and relevant to life in North America. From New York–New Haven to Seattle and Chicago, these educators connect languages and archives to contemporary debates on identity, democracy, and culture.

In recent years, a surge of creative collaborations between Nordic and Baltic artists and American institutions has been transforming the cultural landscape in North America. From film festivals and museum exhibitions to music series and design programs, these partnerships serve as vibrant bridges between Nordic/Baltic cultural heritage and contemporary American arts.

The Nordic and Baltic peoples have long been known for their deep respect for nature and progressive environmental values. From the earliest days of the modern green movement in America to today’s youth-led climate strikes, individuals with Nordic and Baltic roots have played remarkable roles in U.S. environmental movements. Their engagement ranges from shaping historic moments – like the very first Earth Day – to energizing today’s climate activism and forging transatlantic partnerships for a sustainable future.

In this guest post, a media training expert shares why interviews don’t end when the cameras stop rolling, offering practical tips on clarifying points, correcting mistakes, and maximizing positive coverage to strengthen relationships with reporters.

At just 12 years old, Ragnar Nigul is already accustomed to punching above his weight – both literally and figuratively. The Estonian-American middle schooler trains in TaekwonDo six days a week and has the medals to show for it.

The Foundations for Estonian Arts and Letters has opened its 2025 Young Artist Stipend: a one-time $2,000 grant for U.S.–based creatives of Estonian heritage (ages 18–35) working in music, performance, folk culture, literature, or visual/applied arts. Applications are due September 1, 2025.

When you think of a solo instrument in classical music, the bassoon might not be the first to come to mind. But Estonian-born bassoonist Martin Kuuskmann has spent his career turning this unsung instrument into a show-stopper. With charismatic performances that The New York Times has praised as “dynamic… amazing… gripping…,”

From corporate ambition to global impact, the founder of Brand of a Leader never planned to become an entrepreneur—until a conversation during early motherhood changed everything. What began as a quest for flexibility evolved into a thriving personal branding agency serving CEOs and founders across 12 countries. In this interview, she shares how she scaled organically without a sales team, embraced AI without sacrificing authenticity, and built a business that aligns with both her professional genius and personal values. Her story offers a fresh perspective on leadership, balance, and building with intention in the modern entrepreneurial landscape.

Johanna Telander’s second poetry collection, The Resilient Flutter of Butterflies, explores the strength found in vulnerability and the quiet power of kindness. The Finnish-American poet and multidisciplinary artist—also known for her musical compositions—invites readers into a world where softness becomes a form of resilience. With intimate honesty, Telander’s verses show that even the most fragile wings can carry us through adversity, ultimately illuminating hope and healing.

New York City has always been a magnet for musicians chasing the next great performance—but in the 21st century, an unusually bright constellation of performers and conductors hails from the Nordic North. Drawn from Norway’s fjords, Sweden’s archipelagos, Denmark’s design-forward cities, Finland’s forests of sound, and Iceland’s volcanic imagination, these artists have made the city’s stages their second home. They lead the New York Philharmonic, ignite the Metropolitan Opera, pack Carnegie and Lincoln Center, and teach at Juilliard, infusing the musical life of the five boroughs with crisp Nordic clarity and boundary-pushing innovation. Their stories reveal how a global capital and a cluster of small northern nations have forged a creative partnership that is reshaping classical music for a new era.